Shawnee: Teeing Up a New Identity
It's tempting to arrive at the Shawnee Inn and Golf Resort on the Delaware River, avail yourself of a self-guided tour -- that's a compliment, because it's a friendly, laid-back place -- and, after several hours or a few days, roll down the road, thinking that change must come slowly to such a peaceful, 98-year-old property.
Yes, Shawnee is a place that revels in a rich and storied past, with historic black-and-white golf photos (of the likes of Sam Snead, Dwight Eisenhower and Jackie Gleason, taken on its premises) lining the spacious hallways of its 80-room inn, but if you peek inside, lift the duvet, there's change afoot. In this case, appearances are about as deceptive as those A.W. Tillinghast-designed greens that left us scratching our heads after a day of golf at Shawnee.
What has been taking shape, just out of view, is the formation of a coherent vision and the initial steps to update a resort -- if not its 27 holes of golf -- that wants to retain its pastoral, by-the-lazy (but occasionally raging) river identity while making an inspired appeal to travelers (and golfers) who think they need to board a plane to find a fully amenitized, memorable destination.
"We all knew Shawnee was going to go through a renaissance," says Pete Kirkwood, 38, a member of the second generation of the family that has owned the resort since 1977. "We knew we had to scrape away the accretions of many years to discover the gem in the middle of the building. The question is, what would be the vocabulary, the vernacular, of the renaissance, the unifying principle that would make everything make sense together."
Kirkwood's sense of how Shawnee could move forward but stay connected to its past came as an epiphany, albeit one that was shaped over months and years by his own accidental architecture-and-design studies and his family's global migrations and travels.
Kirkwood and his wife, Liz, had lived in northern California, taking special note of the American Arts and Crafts-style homes in Berkeley. They traveled to southern California to see other houses, including iconic homes designed by Greene & Greene. As they did, Pete gained further appreciation for the Arts and Crafts design aesthetic, an offshoot of the British movement that flourished at the turn of the 20th century but still resonates a hundred years later what with its emphasis on craftsmanship and keeping with local landscape and natural surroundings.
Meanwhile, two generations of Kirkwoods had long traveled to the Far East and Pete's three brothers make their homes there. Those familial ties to the Pacific Rim as well as outright Asian design influences, Pete believed, could be incorporated into an Arts and Crafts aesthetic. And it would leave room for other complementary influences ranging from Gustav Stickley to Frank Lloyd Wright.
"Arts and Crafts is more than an aesthetic, it's a philosophy," says Kirkwood. "It's very much tied to nature."
Returning to Shawnee about three and a half years ago, Pete experienced a "Eureka!" moment when he began to consider the sophisticated lifestyle preferences of travelers from Shawnee's core markets: New York and Philadelphia. "The zeitgeist is all about getting back to nature, simplicity, to being more honest about our relationship with the world."
So, with the vision and direction clear that a new aesthetic could be embraced, the resort's initial foray has been to design rooms, furniture and furnishings, which present a visitor with a cleaner, updated-but-still authentic Shawnee experience. Working with Amish craftsman in an off-the-grid factory in Ohio, the Kirkwoods began commissioning chairs, desks, sofas, bedsteads, ottomans and cabinetry -- about 20 pieces in all -- each with a proprietary ShawneeCraft logo and a structural sturdiness that recalls Stickley and California Mission. So far, they have furnished an 1,100-square-foot hospitality suite that overlooks river and golf course, two cottages and six suites (known as The Legacy Collection) including one in the inn.



